EIT Schedule actual

Dekodierung & Deskriptoren

Jede Deskriptorfolge enthält Kontext, Reihenfolge und rohe TLVs. Private oder noch nicht dekodierte Felder bleiben erhalten.

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        "text" : "ergang. Purcells Musik über diese alttestamentliche Szene jagt einem die sprichwörtlichen Schauer über den Rücken. Ähnlich spannend: Carissimis Dialog \"Job\". Darin sät der Teufel beim leidgeprüften Hiob Angst und Glaubenszweifel, indem er ihm eine ",
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        "text" : "Schreckensbotschaft nach der anderen überbringt. Doch Hiob erhält Unterstützung durch einen Engel, so dass der Fürst der Finsternis irgendwann das Weite sucht. Verglichen mit Carissimis und Purcells Dialogen ist Hammerschmidts Gespräch zwischen Got",
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        "text" : "r/>(9'30'')\n<strong>Marc-Antoine Charpentier</strong><br/>Dialogus inter Magdalenam et Jesum<br/>Lucile Richardot, Mezzosopran<br/>Davy Cornillot, Bariton<br/>Ensemble Correspondances<br/>Leitung: Sébastien Daucé<br/>(4'04'')\n<strong>Salomone Rossi",
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        "text" : "</strong><br/>Sonata in dialogo, detta la Viena<br/>La Fenice<br/>(3'31'')\n<strong>Henry Purcell<br/></strong>In guilty night <br/>Les Arts Florissants<br/>Leitung: William Christie<br/>(9'26'')",
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        "text" : "Musikalische Monologe sind quasi Mini-Opern, die sich auf einen entscheidenden dramatischen Moment fokussieren. Meistens geht es dabei um Frauenschicksale. Etwa in Haydns \"Scena di Berenice\", in der die Titelheldin aus Angst um ihren Geliebten dem ",
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